Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts

Thursday, January 01, 2009

Style as a Reflection of Thought

from Idea of a University -- Literature.

Literature is the personal use or exercise of language. That this is so is further proved from the fact that one author uses it so differently from another. Language itself in its very origination would seem to be traceable to individuals. Their peculiarities have given it its character. We are often able in fact to trace particular phrases or idioms to individuals; we know the history of their rise. Slang surely, as it is called, comes of, and breathes of the personal. The connection between the force of words in particular languages and the habits and sentiments of {276} the nations speaking them has often been pointed out. And, while the many use language as they find it, the man of genius uses it indeed, but subjects it withal to his own purposes, and moulds it according to his own peculiarities. The throng and succession of ideas, thoughts, feelings, imaginations, aspirations...... the faithful expression of his intense personality, attending on his own inward world of thought as its very shadow: so that we might as well say that one man's shadow is another's as that the style of a really gifted mind can belong to any but himself. It follows him about as a shadow. His thought and feeling are personal, and so his language is personal.


Thought and speech are inseparable from each other. Matter and expression are parts of one: style is a thinking out into language. This is what I have been laying down, and this is literature; not things, not the verbal symbols of things; not on the other hand mere words; but thoughts expressed in language. Call to mind, Gentlemen, the meaning of the Greek word which expresses this special prerogative of man over the feeble intelligence of the inferior animals. It is called Logos: what does Logos mean? it stands both for reason and for speech, and it is difficult to say which it means more properly. It means both at once: why? because really they cannot be divided,—because they are in a true sense one. When we can separate light and illumination, life and motion, the convex and the concave of a curve, then will it be possible for thought to tread speech under foot, and to hope to do without it—then will it be conceivable that the vigorous and fertile intellect should renounce its own double, its instrument of expression, and the channel of its speculations and emotion


There are some more quotes at About on What is Style?

Friday, November 07, 2008

Too Little, Too Much?

"We emphasize reading and seeing more than writing. We do not demand that the children write until they are mature enough to have something to say and some reason to say it in writing. Consequently, writing comes much later for them than it does for the conventionally schooled. It astonished us to see how much writing the schools demand of young children these days. .....

We've done some tutoring of middle school students and we see how often these students confront more writing assignments than we think are healthy for a middle schooler. They show us notebooks with homework assignments to quotations from Herodotus, essays on "picture prompts", book reports and more. The little middle schoolers produce what is demanded of them as well as they can, usually cranking it out in simple declarative sentences without attention to style or concrete details. One such student came to our daughter Bridget, pleading, "Help me to be more creative! My teacher says I need to be more creative."

For us, writing is not a subject assignment but an ancillary part of other activities....


from Homeschooling: A Family's Journey, which I'm enjoying.
The authors' blog is here; a quick review, here.

Why did I pick out this quote?

I think for the same reason that I appreciated it when a physical therapist who consulted about Aidan recently expressed reservations about the brace he wears on his left leg. I had inquired of different therapists and orthopedists, several times, if the brace wasn't causing some of the problems it was meant to help with. For one thing, he walks with a stiff knee, hauling up his hip in order to proceed. For another thing, his left calf muscle is significantly smaller than his right one. I couldn't help being reminded of my football-playing son when he had broken his leg. While he was wearing a cast he walked with a stiff-kneed, heel-strike pattern. When they removed the cast, his healed leg was an inch smaller around the calf than the other one. Until this therapist of Aidan's mentioned her concerns, no one had really been willing to converse about possible drawbacks to brace-wearing, which left me feeling weird. Anyway, that is beside the point for now; it's just that having my longtime concern addressed and affirmed for the first time in regard to the brace was a relief.

With the writing, I had often said "We unschooled writing and the kids all learned to write well and enjoy writing when they saw a reason for it." But I'd often felt a bit troubled about it. I had often read especially at the beginning of my own homeschooling journey that one of the advantages of homeschooling was that kids wrote more -- that the conventional school usually skimped on writing in the curriculum. The reason was that teachers didn't have time to grade writing assignments so they tended to assign multiple-choice or short answers from a textbook.

This quote above seems to say the opposite. Now, what is with that? My speculation, based on often looking at teacher's lesson plans on the internet, is that "journaling" has become a trend. The kids are writing in response to prompts, etc. Perhaps volume of writing has gone up, but it doesn't seem to have completely solved the basic problem. Maybe the problem with kids' composition is something besides volume of written work, or lack of it? Maybe it has more to do with relative lack of reading-literature and back-and-forth talking experience, now that so many children are in school or other places for the bulk of the day, and spend another good part of the day watching TV? (the book says the average child watches something like 4 hours of television a day, which seems quite high to me, but is corroborated here). I don't know the answer, but it's an interesting question.

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In my family, my kids usually did not write a significant amount until they were in high school. Before that, they attempted little stories for their own amusement, practiced handwriting through small amounts of copywork, and sometimes worked on written narrations or small research reports. The main focus for these was just bridging the gap between thinking and putting thoughts down on paper, and in finding projects that are meaningful. The child usually makes plenty of mistakes at this age. I prefer to think of them as "approximations" similar to the mistakes a toddler makes when just learning to talk. Sure, you can address the mistakes; I usually went lightly on this, jotting down difficulties privately so that I could tailor a future grammar or punctuation lesson towards the difficulty. My young children needed sympathy and encouragement of their "voice" more than they needed direct critical feedback.

Perhaps emphasizing too much writing at too early an age forces the child to use a different part of his brain for developing skills than he would use for writing later. I'm not talking here about how some children love to write stories and letters and copy things out. Children develop different skills on different timetables, and have different interests. I'm talking about the school-child who is writing a lot without much developmental readiness.

At school, I wonder if some middle school kids are doing a lot of "journaling" and "responding" without much chance to read excellent literature and soak it in. Sometimes, teachers prepare well-intentioned literary analysis lessons for kids who simply haven't had a background of appreciative, receptive reading. The analysis becomes a trick without understanding, and the child looking at a journal prompt may well wonder what the teacher expects of him. He might end up spilling out things one imagines the teacher wants to hear, just to have a filled page. This sense of falsity is debilitating, I would imagine, and falsity is an enemy to good writing.

Now back to my own family's experience.... at some point, usually in the early high school years, my three older kids all started writing for their own purposes. Lots of good reading and discussion with family and friends prepared them to want to say something. At this point they usually asked for some feedback. Again, it was much like the development of verbal skills -- lots of opportunities and interest in what they had to say, and a bit of tactful correction IF the child seemed open to it.

My husband and I sometimes point out poor language in the media or elsewhere. Often, it is in the context of poor thinking, so our emphasis is not on micro-details of syntax but on shoddy workmanship in general. This probably helps young teenagers start thinking about WHY people use language in a particular way and how to get their own writing to work for what they want to say.

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Not requiring much writing isn't the same thing as just sitting back and waiting for writing to appear like a full-grown tree. It's true, I did a lot of waiting, but I realize now that there was a process going on, even if it wasn't systematic. The Millmans, in Homeschooling: A Family Journey, say that they put an emphasis on Rhetoric. Their daughters and sons joined a debate team, memorized speeches and learned to improvise them quickly, and thus mastered many of the basic skills necessary for writing.

"Weekly debate practice included impromptu practice, in which they had three minutes to organize a five-point speech in response to a quotation. This practice gave them the skills and confidence to compose essays under time pressure, for testst, college admission, scholarship applications, and the like.. In turn, memorization of good models of rhetoric quicly improved the way they spoke and wrote. We suspect that the pressure on student in to write early may be as damaging as the pressure to read early. In any case, our patient and tactical approach seems to have served our children well."
As for us, we do not have access to debate clubs in our area, and I do not think our kids would thrive in that environment. In our home, our "writing curriculum" seems to consist of reading and discussions, starting with picture books and pursuing "why" questions that the little ones ask about the book content, repeating lines from favorite stories or sometimes making up our own stories. It carries through read-alouds of chapter books and small research follow-ups and conversations after the chapters are read. During this time the children usually try their hand at simple keyboarded creative stories which they usually share with the family and sometimes with friends and relatives as well. It proceeds all the way up to the pre-college level where the children read books that have been major influences in the lives of their parents, and we have some great discussions. At that point, the projects get more ambitious. One child wrote a novel, another wrote extensively for newsletters and online story forums. Even now, when my son who is a senior in college calls on the phone, I often end up discussing books with him, or literary theory. He is even writing his senior dissertation on a topic related to literature.

I think this interactive, conversational format can improve mental composition skills as the child is developmentally ready, and according to his or her own unique temperament. Each child has his own different focus and gifts in how he (usually "he" in my house) approaches things mentally. One child has a terse, active style of writing; another is master of vivid, tiny details; another likes to think through things on paper; and so on. These interactions sharpen my own ability too, and when the children do start writing on their own in the high school years, our writing meetings are on a fairly equal level. Quite often their writing is better than mine and my major advantage is simply experience.

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When you are teaching a child to read, there are two "streams" of learning. One is a wide, pleasant exposure to many books in a context of relationship and love for reading. The other is brief phonics practice as the child seems ready (it doesn't have to be a workbook -- refrigerator magnets and letter games work, too). When the child is ready, the two streams come together.

I am thinking that this is similar to writing. A child needs motor skills to learn to form letters properly and develop handwriting fluency. My kids are late on this, generally, and from Aidan's therapy I have learned there are a lot of foundational things you can do to work on this -- large motor exercise like crawling, chalk circles, mazes and dot to dots, etc. At an older age, copywork and dictation may be nice, though I admit we don't practice this regularly in our home. But at the same time, the child can be learning to arrange thoughts and express them in a natural manner. When the child is ready, again, the two streams come together.

Narration is a time-honored way to improve composition skills verbally. We've used narration patchily. So far in my homeschooling, I've had most success with conversational narrations, where I or the child throws a question related to the reading into the conversational ring and we discuss it back and forth. The point is not to lecture the child but to model thoughtful interaction with a book. The parent does not have to be an expert. Being willing to discuss and mostly, listen, is the main focus. Almost any topic of interest can become a natural "extension". This conversation makes bridges between different subject areas.

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Julie Bogart's Bravewriting Lifestyle exercises show some of the ways you can work on composition without sitting the child down to a piece of paper and a topic he could care less about. Her blog discusses and chronicles the writing life in a perceptive and respectful way. I haven't used her materials, because they weren't around when we were working out our family method by trial and error, and now I have what works for us basically in place. But I know many people I trust recommend her programs highly. Her online courses and forums probably give many children a chance to share their writing and get response.

We usually do things less formally.

We've had success with an informal family Story Society.
Novel in a Month is another activity some of my family have participated in. It's going on right now, as most of you probably know! Someone on my classical group shared the link to its Young Novelist Workbooks.

I personally am fascinated with the progym, as I've often mentioned here. It seems like a wonderful developmental outline, and it is pretty much the only "structured" writing method that has not been a complete wash-out for our family.

If you have any thoughts on this, pro or con, I'd love to hear them! There are different perspectives on these things and some of them are informed by our own perceptions of our kids and how they learn best. Some kids and parents thrive on structure and clear assignments. I guess my point would be that some of the fear or rigor associated with "writing" in the homeschool isn't necessary. You can address some of the composition goals by informal methods that suit your own family.

Wednesday, October 29, 2008

Grammar and Writing

Another one from the files:

Michael Degen -- Handouts page

I found this page of handouts back when I was scouring the web for information on "teaching grammar in the context of writing." If you go down to the General Handouts section, there is an article on Philosophy of Grammar (doc) which is the one I've had around the house for years. This teacher at the Jesuit Preparatory School has written two books, which aren't available in my library:

The handout is about teaching style by means of teaching syntax. It helps provide the link between "analysis" in reading and "synthesis" in writing. The Jesuit style of teaching composition was to move from one to the other of these processes... to learn by studying what made a sentence work (in vernacular and in Latin and Greek) and then to consciously apply that to one's own writing. The stylistic devices he focuses on in the paper are:

  1. Present participial phrases
  2. • Compound and compound-complex sentences, their independent clauses joined
  3. • either by correctly punctuated conjunctive adverbs or simply by semicolons
  4. Past participial phrases
  5. • Adjective subordinate clauses
  6. Appositive phrases
  7. • Analysis & repeat-word modifiers
  8. Absolute phrases
  9. Noun subordinate clauses
  10. • Gerund phrases
  11. • Adverb, adjective, and noun infinitive phrases

Later on I found Ed Vavra's pages on grammar as a liberating art, and particularly this online book. I wish I could explain how much this is my ideal of teaching writing and grammar, even though I don't particularly do it this way. I usually unschool writing, and lots of reading and discussion provides the analytical/synthetic framework which in time leads to good writing.

But consider this:

I have heard this ever since I can remember, and ever since I have taught: the teacher must teach the pupil to think. I saw a teacher once going around in a great school and snapping pupils’ heads with thumb and finger and saying, "Think." That was when thinking was becoming the fashion. The fashion hasn’t yet quite gone out.

We still ask boys in college to think, as in the nineties, but we seldom tell them what thinking means; we seldom tell them it is just putting this and that together; it is just saying one thing in terms of another. To tell them is to set their feet on the first rung of a ladder the top of which sticks through the sky. Robert Frost, quoted in ch11 Syntax, Thinking and Logic

Thought is in many ways a matter of syntax. This is why, according to Dr Vavra, too much work out of textbooks actually dulls thinking, whereas reading aloud to a child from literary books will expand not just his vocabulary but his ideas and the syntactical framework into which he puts them. He says that many educationalists now have realized the importance of reading and writing in thinking but haven't always adequately realized the importance of content and syntax -- the structure of sentences -- in this thinking process. Charlotte Mason realized this over a century ago (though she would be vehemently opposed to reading great literature simply to improve one's thinking processes, I think. Motive matters, as well).
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A couple of other links I found when I was looking for more on this subject.


Also, here are a couple of posts from Schola et Studium on how we are doing grammar.

Also, Lene Mahler Jaqua and Carolyn Vance of Classical Writing have started a blog. Lene's article in the Class Ed Newsletter started me off on my love for the progymnasmata. The article has a nice scope and sequence for teaching early levels of the progym.

Tuesday, August 05, 2008

some thoughts

These are all links from Love2Learn Mom's blog Studeo; that is probably the only connection between the topics. This will be a rambly series of thoughts and quotes; I am still getting back on track after our hiatus.

Studeo: Notes on Writing from a talk given by Father John Hardon. About the value of writing in thinking and sharing with others. A few quotes:

"Very few people understand the value of writing...

My purpose here is to help you see why writing is such a blessed asset of the spiritual life. To be convinced of the value of writing, if only a few words every day, is to have made a giant stride on the road to sanctity...

Writing disciplines the mind. Left to ourselves our thoughts are nothing less than a jungle filled with wild animals. Our most important duty in life is to master our minds, to control our thoughts...

Writing is a proved way of lowering oneself in one's own estimation. There is no way known for more surely and effectively growing in humility than by writing...

What God in His wisdom and love has shared with us, keep a record of that. Share that wisdom and love with others by writing it down."


Also Open to Correction
about reviewing charitably without surrendering to the temptation to be all-positive all the time. More difficult than it seems!

Finally, New School Year: Friendship with the Saints

As you probably know, I usually pick a saint (or sometimes two) to be a patron for that school year. And I am trying to think of ways to put more prayer "anchors" in this school year (pray for me, I've resolved to do this for several years with only minimal success). So I liked this prayer from Bishop Robert Finn:

"Ask God to give you the fervor of St. Albert the Great for science, the joy of St. Cecilia in your music, the diligence of Jerome for translating, and the clarity of St. John in writing. Run and play with St. Don Bosco, debate and persuade with St. Catherine, and fish with Peter himself.

Holy Mary, who taught our Lord...in the school of Nazareth, accompany us on our new school year. St. Joseph, headmaster and guide for the boy Jesus, lead us on a sure and safe path to Him."
Finally, something to remember as we head into the next homeschool year:

The Myth of the Picture Perfect Family


Love2Learn Mom writes:

Now I'm quite comfortable saying: We are not that family and we don't want to be.
I feel exactly the same way. Now why is this? Have I lowered my standards? I don't think so.
But picture-perfectism is a trap, it seems to me. Maybe it comes down to the difference between "picture" and "perfect", the latter of which (for human beings) is always going to be a process, the former of which is a static thing with a frame, no matter how pretty.

For some reason I think of Voyage of the Dawn Treader, where the picture on the loathsome Eustace's wall suddenly becomes real and sweeps them in. The first sign is the icy salt water splashing in, a real thing with a power of its own. Much discomfort awaits but so does a much bigger and more life-changing thing than the picture itself ever was.

I feel that way when some problem comes into our life. SURE, it's uncomfortable and has a power of its own, and is often bigger than I am; you end up choking and spluttering, as often as not, and feeling like you are drowning. And yet, and yet, it is better than the sterility of "picture-perfect". A picture evokes, and that is its virtue, but it ought not to confine but rather to expand.

To come back to the "writing" theme, I think writing has some of that same power of movement. You can come to something new by way of writing, even if it is just a matter of seeing something old in a new way. I say "CAN" because it doesn't happen that way all the time. But when it does, it's great.

Saturday, April 12, 2008

A Writer's Examen

Politics and the English Language by George Orwell. Recently I have been seeing references to this essay in all sorts of different places, so I finally got around to looking it up online.

A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus: 1. What am I trying to say? 2. What words will express it? 3. What image or idiom will make it clearer? 4. Is this image fresh enough to have an effect? And he will probably ask himself two more: 1. Could I put it more shortly? 2. Have I said anything that is avoidably ugly?


I haven't finished reading it yet but I also like this:

What is above all needed is to let the meaning choose the word, and not the other way around. In prose, the worst thing one can do with words is surrender to them. When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualizing you probably hunt about until you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning.

Probably it is better to put off using words as long as possible and get one's meaning as clear as one can through pictures and sensations. Afterward one can choose -- not simply accept -- the phrases that will best cover the meaning, and then switch round and decide what impressions one's words are likely to make on another person. This last effort of the mind cuts out all stale or mixed images, all prefabricated phrases, needless repetitions, and humbug and vagueness generally.

Saturday, November 24, 2007

Writing Methods

I am trying Novel in a Month once more. I think this is the third year. My goal isn't to get up to 50K words -- if it was, I would be pretty discouraged right now (though if I counted in all the word-intensive blogging I've been doing recently, I might be closer than I think). Rather, I am on my never-ending, quixotic quest to keep up with our family Story Society.

I don't want to publish the story. I just want to write it, adequately enough to not be disgraced in comparison to my three oldest children who are all better story-writers than I am, though as a teenager myself I used to pride myself on my fairly decent fiction writing skills.

My oldest son is home from college right now, along with a stack of stories he is annotating from his college story club. He also asked me to comment his story in progress, and I gave him some of my story to critique, as well. We are to have our traditional story meeting tomorrow, before he returns to college. This has inspired me and I actually got some more of my story written, so I thought I would quickly write out what is working right now. Maybe I can finally vanquish the dreaded Writer's Block Dragon (or find out it is a windmill, or something).

  • First of all, it seems to help to plan to spend some time "wasting time" -- not really, but sitting down and dinking around with my story as it presently exists, changing a word here and there, thinking about different ways to make that scene happen, even annotating someone else's story (if I run out of stories in my own family, maybe I'll start rewriting Muriel Spark or Walter Van Tilburg Clark -- hee hee, not really, but you get the picture).
  • Second, it seems to help to give myself permission to try different things out and "see if they work".
  • Third, if I write down plot possibilities and ideas for techniques on a side page while I'm writing the story, it helps me remember them. Otherwise I forget.
  • Fourth, it is not really essential to have a completely free block of time. Anyway, that never exists in my household of nine. Yesterday I sat and wrote on the sofa with Aidan bouncing all over me. I can honestly ignore any amount of chaos -- I learned to do this in 17 years of formal schooling. In college, I always used to go to a cafe to write my essays because I could think so much better that way. I am training my children to do this even better than I could -- they can do algebra with toddlers running around and their dad reading aloud from the sports page and the dog barking at the UPS man, and so on.
  • Fifth, it helps to keep a writer's notebook and jot down things as I think of them. I don't even really have to look at the notes again. Just writing them down helps.
  • Sixth, it helps to have some plan, but not invent it ahead of time... rather, work my way into it by the practices listed above. So that's what I'm doing right now : ).

I guess that's all for now, but I noticed while writing out the notes for this that this is my preferred method for almost everything I do. It works for housekeeping (though you'd never know it from the way the house looks now); it works for figuring out parenting issues and personal issues; it works for lesson planning; it works for blogging. It even works for things spiritual -- devotions. I think Ignatius refers to something similar as remote, median and proximate preparation; then considerations, affections, and resolutions.

Just in case it helps someone else! I know I'm not the only one out here who brings their novel out of the closet every November.

Sunday, November 11, 2007

November is for Composition

I let my learning goals lapse for a while, I realize. I think it was the chickenpox, then Alaska, and the football, that derailed me. Come to think of it, I should have devoted a month to Athletic Games and one to Medical/Therapy, since those are certainly ongoing themes in my family. I just updated the goals accordingly. I also added a Domestic Church category, which falls nicely into December -- this will be the month to focus on the liturgical year, continuing old traditions and planning enrichment/development for the future.

This month, November, has quite naturally evolved towards a language arts focus. Specifically, the progymnasmata is the focus (here are some posts on planning the progym on my other blog). It is not Charlotte Mason -- rather more classical -- but I do think that Charlotte Mason must have used/revived some elements of former progym theory in her ideas about copywork, dictation, and narration.

Penny Gardner's site has some quotes from CM about reading and writing for older children:

He must generalize, classify, infer, judge, visualize, discriminate, labor in one way or another, with that capable mind of his, until the substance of his book is assimilated or rejected, according as he shall determine.” -- School Education, p. 179

“But this [narration] is only one way to use books: others are to enumerate the statements in a given paragraph or chapter; to analyse a chapter, to divide it into paragraphs under proper headings, to tabulate and classify series; to trace cause to consequence and consequence to cause; to discern character and perceive how character and circumstance interact; to get lessons of life and conduct, or the living knowledge which makes for science, out of books; all this is possible for school boys and girls, and until they have begun to use books for themselves in such ways, they can hardly be said to have begun their education.” --School Education, p. 180




Here are some notes from Lynn's CMason High School page: on the Junior High School English Transition. Here is one passage:

Now, the written narration vary in style. In the beginning you will allow him to write in any way he pleases, and you should expect they will be very similar to his oral narration style (though shorter). He does write on whatever he is reading, in every area. For example, in History he might be reading Virgil, and would write to you about one of the battles. However, at this point you begin to select HOW he writes. For example, you might assign him to write everything this week in the style of a newspaper reporter, if you had studied reporting in composition. Next week they might be Encyclopedia articles, or as though he were one of the participants describing the event to his grandchild. For composition he might take a passage (even one of his own narrations) and re-write it into a different style. When he learns essay format you would show him how to take three selections from the reading passage as examples to answer the question, instead of telling you everything he knows about the topic. He is learning discernment, choosing what is needed.


Some of this is quite similar to what the ancients called copia: learning written verbal fluency and range through practice.

Sunday, March 25, 2007

Myth of Laziness -- project checklist


Levine says in The Myth of Laziness that long term projects allow a child to get used to organization and accountability. He suggests that parents set up time and materials at home to facilitate organization and accountability. For example:

1. Set up a work space -- eg, have paper, pencils, computer, index cards, good light -- in a location free of distraction. He mentions that children work well in different environments. For example, I always worked bettter with some type of noise level or activity around me. I used to go to a coffee shop (one where I wouldn't meet anyone I knew) in order to do my best studying and writing. Other people need quiet and a lack of activity in order to do good work -- one of my sons shuts himself up in his bedroom. It is worthwhile to experiment with different environments.

2. Set up a work time. Levine mentions that the families with the most effective results have often made studying and academic work an integral part of their life. Often they have agreed on set hours to study and read and write. They often have the whole family doing their quiet work at the same time in the day so that the whole environment recognizes the importance of productive study.

I think that homeschool families tend to do this somewhat naturally, and that this is probably one of the reasons that homeschooling is often so successful. But I see that now that it's written out, I could probably do this more consciously so that our time and material "systems" made it easier for my kids to find a system that worked for them.

Here is his list of the writing steps, which also seem to be a good list for any project -- I am using the checklist to plan out my kids' courses for next year, for example:

  1. Strategic planning -- overview -- what are the goals of this project -- what do I have to accomplish in order to be done? Gather the materials and provide yourself with a work space.
  2. Plan and timeline -- this is where you break the overview into steps with intermediary deadlines -- index card notes completed by X time, outline made by Y time. If you are an intuitive non-sequential thinker like myself and some of my children, you may want to do it somewhat differently -- for example, visualize the different stages of the project in completion. But the timeline helps avoid the last minute crunch.
  3. Brainstorming. You generate ideas here -- mind maps may be useful. The idea is to get your thoughts flowing and put your intuitive processes to work. It doesn't matter whether the ideas are actually useful or connected, at this point.
  4. Research -- gather information and compile it.
  5. Initial Arrangement -- here you figure out some sort of provisional order. It is not fixed yet.
  6. Rough draft.-- you put something together, but you let yourself have freedom to go, since it is not yet a final draft.
  7. Revision -- make corrections, rearrange, elaborate or cut.
  8. Final product.-- "publishing" in some form
  9. (I added this part myself because Ignatian pedagogy recommends it -- it is beneficial to have some sort of demonstration of the product. For example, making an oral presentation of the written material, or devising some sort of visual that you are prepared to explain. )
  10. Assessment -- reflection on the final product. How would you score yourself? How could it be improved? This helps you to refine your level of work over a period of time. Levine recommends that the students give themselves a grade and evaluation. Kids like mine will usually grade themselves down, whereas other kids might inflate their grade, but over time hopefully they will learn how to more accurately self-assess.

A sort of organizing process should be going on throughout all this.

  1. Finding and managing the best materials for the job. This might change somewhat during different stage of the process.
  2. Managing time -- making daily room for work on the project and having a rough longterm plan which can be modified along the way.
  3. Organizing thoughts -- (using the seven types of paragraphs might be helpful)
  4. Quality control -- Levine says that successful students usually have a continual self-monitoring going on ("how am I doing? how could I modify things in order to improve?"). There have been lots of studies showing that successful readers, for example, are always checking their understanding and engaging in an active dialogue with the books they read. Examples here. Similarly, successful math thinkers have been shown to have a mental interaction between reality and the symbolic concepts on the paper. I was just recently watching my friend's MUS DVD where Steve Demme says that a group of kids asked to solve a simple math problem were stumped because they weren't told what operation was to be used -- in other words, they had learned the rote operations but not how to apply them. There is also a lot of discussion about this in John Holt's excellent book How Children Fail.

An elementary Writing Center set-up here.

Myth of Laziness -- writing problems


Levine says that writing output failure is often a first symptom of the hidden learning deficits that often get labelled as "laziness". Almost all the children he worked with had some writing difficulties. For example, a lack of fluency in the physical act of writing (or keyboarding) will naturally lead to messiness and to a simplistic form of writing, since the child will be focusing so much on the physical act of writing that he is unable to let his thoughts flow freely. I recognize several of my kids in this.

Organizational difficulties can also lead to writing output difficulties. For example, a child who cannot keep track of his materials will find it difficult to organize a research paper -- he will spend his energy hunting for pens and paper and index cards, or whatever he needs. A child who has difficulties with time organization may find himself writing an entire term paper the night before, because he has not been able to generate a timeline that includes a series of steps from beginning to completion. This was definitely my problem in school. Even in college I usually ended up scrambling through an essay or studying for an exam the night (or class period) before, or even missing the deadline and taking a late penalty.

Fluctuating energy levels can lead to extreme inconsistency in production. A child may produce a nice paper one time and a poor effort the next time, or may start off well and fall down as the work progresses. This often leads to the charge that "you could do better if you tried" which for the student may not be helpful at all since he or she may not understand WHY her performance is so inconsistent.

Another trait may show up later in the school years. There are two approaches to a new activity -- "top-down" or "bottom-up". One person may do wonderfully on the sequential, detail-oriented aspects of a research project, but be unable to come up with an original, creative take on the material. This is called a "bottom up" approach. It works well in the grade school years but becomes more of a problem in the secondary or tertiary level of schooling, where a person is expected to produce work beyond a simple synthesis of the collected research.

Since writing output is often such a major indicator of the child's production ability, Levine made a checklist of the writing process which I thought seemed very helpful for any kind of a longterm project. (He also recommends that long-term projects be done in schools more than they are presently, because a long-term project is a wonderful way to acquire the skills needed for ANY kind of future success). I am going to put the writing checklist in the next post since this one is getting long.

Incidentally, I was just reading at a site which recommended cursive before printed writing as a way to solve common writing difficulties. I thought it was interesting. Don Potter's site -- HT Trivium Pursuit blog (there are also some nice phonics resources there).